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Something Hot

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jul 21, 2026 At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to understanding director Nagisa Oshima’s breakthrough film and the energies that...

Jul 16, 2026 Marking the publication of Rohmer’s only novel, Élisabeth, the Six Moral Tales cycle is revived in four U.S. cities.

Jul 13, 2026 Jurors have honored films from Myanmar, Denmark, Slovakia, Japan, and Greece.

Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 2, 2026 Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.

May 26, 2026 Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...

The Lubitsch Touch

The Daily

Apr 6, 2026 New York’s Film Forum screens thirteen features by the master of urbane comedy.

Apr 1, 2026 BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.

Mar 10, 2026 Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

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