The Criterion Collection
Essays
May 15, 2000 — Twenty-five years after its first appearance, Bergman’s film of The Magic Flute remains the finest screen version of an opera ever produced. Shot in sumptuous color by Sven Nykvist, and featuring some of the finest Nordic singers of the day,...
Essays
Sep 25, 1995 — Noel Coward and David Lean’s drama is the Citizen Kane of war movies, as well as the precursor to Lean’s even more celebrated works.
Essays
May 25, 1992 — Cecil B. DeMille’s spectacle turned out to be the silent screen’s most elaborate realization of “the greatest story ever told.”
Apr 20, 1992 — Tanya: Oh, James, James, will you make love to me all the time in England? James Bond: Day and night! Sean Connery returns in From Russia with Love in the best of all of Ian Fleming’s stories. Filled with sex,...
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Essays
May 30, 2050 — Odd Man Out, Carol Reed’s first masterpiece, introduced the theme that would shape all of his best films: a stranger’s groping quest through the labyrinth of a great city. The little French boy left to his own confused devices in...
The Daily
Oct 13, 2026 — The Melbourne Cinémathèque screens five films by the poetic realist best known for Children of Paradise.
The Daily
Sep 23, 2026 — Michael Mann, M. Night Shyamalan, James Gray, Robert Eggers, and Lance Oppenheim are among the many directors who will be taking questions.
The Daily
Sep 16, 2026 — You may think you already know more than enough about the man, but critics find that there’s “a fearsome power” in the way Gibney’s brought it all together.
The Daily
Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.