May 15, 2013 Delmer Daves’s 3:10 to Yuma, driven by compelling mano a mano suspense, is quite a yarn. It’s no surprise, then, that it’s based on a story by the estimable Elmore Leonard. Known predominantly for his crime fiction such as Get...

Apr 13, 2012 Performances Fists in the Pocket, a gasp-inducing, mouth-frothing, black-comic attack on bourgeois values, is remembered first and foremost as a shocking debut from director Marco Bellocchio. But it gave its star, Lou Castel, a memorable entrance of his own: he...

Jun 10, 2009 There’s a cornucopia for Tati fans over at Kristin Thompson and David Bordwell’s blog, Observations on Film Art and Film Art. In a new entry, Thompson spotlights painter Jacques Lagrange, a somewhat unsung collaborator on all of Jacques Tati’s films,...

Oct 16, 2006 Lodge Kerrigan’s grim, lucid dispatch from the murky depths of madness situates itself inside the tormented consciousness of a schizophrenic.

May 11, 2020 One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...

Fosse Time

Visual Analysis

Sep 25, 2014 All That Jazz echoes the tropes of the classic backstage movie musical, but it’s also a groundbreaking work of cinema, thanks largely to Bob Fosse and editor Alan Heim’s avant-garde approach to editing. In this Criterion video essay, critic Matt...

Feb 23, 2022 In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

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