May 16, 1988 Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...

The director of Romería talks about Víctor Erice’s influence on her work, shares how Wanda made her interrogate what feminism really means in cinema, and selects favorites like Umberto D. and Walkabout.

The writer and director admires how filmmakers like Jacques Tati, Wes Anderson, and David Lynch sculpt their own universes, selects a Spike Lee double feature, and praises Víctor Erice’s films as some of the best in cinema history.

Movie critic Michael Sragow, the author of Victor Fleming: An American Movie Master, edited two volumes of James Agee’s prose for the Library of America. His documentary writing and coproducing credits include Image Makers: The Adventures of America’s Pioneer Cinematographers...

Holding Our Own

The Daily

Sep 4, 2026 Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

Aug 11, 2026 Set in 1930s French West Africa, Bertrand Tavernier’s hard-to-classify adaptation of the Jim Thompson novel Pop. 1280 offers an apocalyptic vision of a society in which institutions have abdicated their moral authority.

Jul 28, 2026 Seven dynamite nights with Keaton, Chaplin, Lubitsch, Ford, Murnau, Griffith, and Raoul Walsh.

Jun 15, 2026 L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.

May 29, 2026 We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.

Hope and Fjord

The Daily

May 20, 2026 There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.

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