The Criterion Collection
May 16, 1988 — Prior to the success of Scaramouche in 1952, many in Hollywood felt that the big-budget “swashbuckler” film was no longer a safe investment. While such motion pictures as MGM’s version of The Three Musketeers (directed by George Sidney, 1948) and...
The director of Romería talks about Víctor Erice’s influence on her work, shares how Wanda made her interrogate what feminism really means in cinema, and selects favorites like Umberto D. and Walkabout.
The writer and director admires how filmmakers like Jacques Tati, Wes Anderson, and David Lynch sculpt their own universes, selects a Spike Lee double feature, and praises Víctor Erice’s films as some of the best in cinema history.
Movie critic Michael Sragow, the author of Victor Fleming: An American Movie Master, edited two volumes of James Agee’s prose for the Library of America. His documentary writing and coproducing credits include Image Makers: The Adventures of America’s Pioneer Cinematographers...
The Daily
Jun 15, 2026 — L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.
The Daily
May 29, 2026 — We’re revisiting work by Tarkovsky, Pelechian, and Portabella as well as two films with the word Dead in the title.
The Daily
May 20, 2026 — There’s zero consensus when it comes to the latest films by Na Hong-jin and Cristian Mungiu.
The Daily
May 18, 2026 — Critics are taking to Paweł Pawlikowski’s Fatherland, Radu Jude’s The Diary of a Chambermaid, and Jordan Firstman’s Club Kid.
The Daily
May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.
The Daily
May 5, 2026 — The nation’s largest silent film festival returns to the newly renovated Castro Theatre.