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School Dance

Sep 17, 2019 Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

May 11, 2016 Aaron Katz was born and raised in Portland, Oregon. After studying filmmaking at University of North Carolina School of the Arts, he returned home to Portland to make his first feature, Dance Party USA (2006). Since then, he has written...

Nov 11, 2002 Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Sep 17, 2007 Today we are used to seeing dance artistically presented on television and in movies—these films about Martha Graham helped to make that happen.

Sep 28, 2022 Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.

Jun 6, 2017 Combining sardonic humor with poignant characterizations, this cult comedy explores the discontents of two high-school graduates adrift in strip-mall America.

Aug 30, 2011 A startling blend of fantasy and reality, Lindsay Anderson’s satirical tale of adolescent rebellion personifies the 1960s.

Jul 9, 2026 Deep Dives One of the most mischievous figures in world cinema, Věra Chytilová is still best known for Daisies, the daring 1966 film whose gonzo vision of female rebellion and empowerment launched her into the public eye. This Czechoslovak New...

Jun 29, 2026 In the run-up to the country’s 250th birthday, several venues are offering prompts for celebration and reflection.

Jun 17, 2026 Channel Calendars This month on the Criterion Channel, celebrate the hundredth birthday of the great Harry Dean Stanton, delight in the twists and thrills of our Murderous Melodramas collection, or binge the surreal cult-favorite TV series The Prisoner. There’s so...

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