The Criterion Collection
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
Features
Oct 4, 2016 — This account of a visit to the Beyond the Valley of the Dolls set is excerpted from an issue of the University of California, Los Angeles, newspaper.
Sep 23, 2021 — Gina Prince-Bythewood’s iconic debut portrays Black love without forcing its heroine to compromise herself and her ambitions.
The Daily
Oct 14, 2018 — If horror is going to be forever plagued by remakes and sequels, we could do worse than this year’s Halloween and Suspiria.
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...
Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.
Essays
Sep 28, 2022 — Cameroonian director Dikongué-Pipa’s debut feature is both a manifesto on cinema’s capacity to bring about social change and a celebration of love and its possibilities.
Aug 28, 2020 — “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...
Interviews
May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...
Aug 3, 2020 — The British director of sprightly musicals, wrenching family dramas, and gripping political thrillers was seventy-six.