The Criterion Collection
Steve Erickson is the author of Shadowbahn, Zeroville, and eight other novels that have been translated into a dozen languages. He is the chair of creative writing at the University of California, Riverside, where he teaches literature and film.
Bilge Ebiri is a writer for New York magazine, and has written for the Village Voice, the New York Times, Rolling Stone, Bookforum, and many other publications.
Ti West is the writer and director of 2009’s The House of the Devil, among other critically acclaimed films. His latest, The Innkeepers, will be released in early 2012.
Michael Joshua Rowin writes for Reverse Shot, Cineaste, and Stop Smiling, among other publications. He lives in New York City.
Scott MacDonald is the author of the series A Critical Cinema: Interviews with Independent Filmmakers, now in five volumes, as well as seven other books about independent cinema, including, most recently, Adventures of Perception: Cinema as Exploration (2009). He teaches...
Mark Polizzotti’s most recent books are Why Surrealism Matters and Jump Cuts: Essays on Surrealism, Film, Music, Culture, and Other Utopian Topics.
Bernard Eisenschitz is a film historian and translator who lives in Paris. He is the author of Nicholas Ray: An American Journey and Fritz Lang au travail. He has written, and occasionally made film essays, about Soviet and German cinema,...
Dudley Andrew, professor of film and comparative literature at Yale and author of What Cinema Is!, is the biographer of André Bazin and has written two books on French cinema and culture of the 1930s. He has also written on...
Michael Raine teaches Japanese cinema and other courses in the Department of East Asian Languages and Civilizations and in the Program in Cinema and Media Studies at the University of Chicago. He has published on various aspects of Japanese cinema...
Howard Hampton has written for Film Comment, Artforum, and many other publications. He is the author of Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses.