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The Goumbé of the Young Revelers

Dec 18, 2023 As we scan the latest lists, polls, and awards, it seems that many critical favorites are emerging in pairs.

Dec 13, 2023 Critics have come around on his turns in Barry Lyndon and The Driver, and toward the end, he started patching things up with his family.

Dec 11, 2023 Justine Triet’s film and star Sandra Hüller are also favorites for critics in Los Angeles, Boston, and Washington, D.C.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 A tight-lipped stranger arrives in a gold-mining town. After checking into a hotel, he heads to Charlie’s Saloon, one of those gambling palaces with glittering chandeliers and be-feathered hostesses. He is told that Charlie “runs the town” and “owns a...

Nov 14, 2023 The leading editorial voice of Positif, the great critic and historian gave us essential books on Kubrick and Campion.

Nov 1, 2023 Sandra Hüller meets Joachim Trier, Hayao Miyazaki predicts the future, and MoMA showcases Iranian cinema.

Twenty Years On

The Daily

Oct 27, 2023 We’re revisiting Infernal Affairs, Lisandro Alonso’s Los muertos, and some of the first reviews posted at Reverse Shot.

Love Wins

The Daily

Oct 19, 2023 The UK celebrates Powell and Pressburger, two writers tune into Robert Bresson, and The Exorcist turns fifty.

Oct 11, 2023 New York and London jointly launch a new restoration of the first feature directed by a Black British filmmaker.

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