The Day Will Come

Sep 17, 2007 — G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.

Aug 23, 2004 — This drama about young dreamers is the first definitive plunge into many of Federico Fellini’s dominant thematic and imagistic preoccupations.

Oct 19, 2026 — In one of his most personal films, the Oscar-winning director imbues Mary Shelley’s gothic tale with elements of family melodrama and traces of his own Catholic upbringing.

Sep 21, 2026 — A Japanese-television phenomenon that sparked a boom in anime production and fandom, Hideaki Anno’s magnum opus is a mind-bending mix of kinetic action, sci-fi spectacle, and introspective human drama.

Aug 28, 2026 — Revisiting work by Whit Stillman, Frederick Wiseman, Nathaniel Dorsky—and lots of road movies.

Aug 14, 2026 — Fine writing on Powell and Pressburger, James Gray, Catherine Breillat, and Richard Linklater—plus: Isabelle Huppert on Claude Chabrol.

Aug 13, 2026 — BAM’s sun-drenched series features films by Ozu, Kurosawa, Oshima, Kitano, Obayashi, Shinji Somai, and more.

Aug 7, 2026 — This week: Conversations with Jane Schoenbrun, Ngozi Onwurah, and Kent Jones and writing on Jean Epstein and Stanley Kwan.

Aug 4, 2026 — New restorations, festival favorites, and world premieres are heading to Toronto.

May 1, 2026 — A new month begins with a Visconti restoration, a new issue of Senses of Cinema, and a deep backgrounder on Backrooms.