The Criterion Collection
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
On the Channel
Jan 9, 2018 — The legendary French director Robert Bresson rattles off a string of his artistic axioms in this excerpt from his episode in Cinéastes de notre temps.
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Visual Analysis
Jul 31, 2017 — The director behind one of the most acclaimed films of the year, A Ghost Story, explains how David Gordon Green’s poetic vision of adolescence opened his eyes to the possibilities of cinema.
Jun 20, 2017 — At the dawn of sound cinema, French theater titan Marcel Pagnol immortalized his epic vision of his native Provence in three exquisite humanist dramas.
Apr 10, 2017 — In this 1964 television interview, Jacques Demy defends his use of wall-to-wall singing and Michel Legrand takes to the piano for a few bars from one of his most famous compositions.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Apr 28, 2010 — Just over halfway through Ang Lee’s masterful Civil War drama Ride with the Devil, the small group of men at the story’s center, young, Southern-sympathizing Bushwhackers fighting in divided Missouri, meet up with other ragtag bands of rebels. Coalescing under...
May 26, 2008 — Though producer Alexander Korda’s adventure movie forms part of a continued tradition of representing the East by purposefully occluding the reality of it, it celebrates the Arabian fantasy as a site of childlike wonder.