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Interview

Director and writer Bertrand Tavernier (1941–2021) made films including The Clockmaker (1974), ’Round Midnight (1986), and My Journey Through French Cinema (2016). He was the author of 50 ans de cinéma américain (with Jean-Pierre Coursodon); Amis américains, entretiens avec les...

David Sterritt is a contributing writer at Cineaste, a film professor at the Maryland Institute College of Art, the former film critic of the Christian Science Monitor, and past chair of the National Society of Film Critics. His books include...

Jonathan Rosenbaum’s books include Cinematic Encounters: Interviews and Dialogues (2018), Cinematic Encounters 2: Portraits and Polemics (2019), and In Dreams Begin Responsibilities: A Jonathan Rosenbaum Reader (2024).

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 22, 2026 Deep Dives In 1971, upon the release of his first and only feature film, James Bidgood pulled a disappearing act. He had spent the better part of seven years shooting Pink Narcissus, a hallucinatory tale of a daydreaming gay hustler, on...

Jun 11, 2026 An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Jun 5, 2026 A series of films Malle made in the U.S. opens with an excellent documentary on the director’s life and work.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

May 26, 2026 Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...

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