Mar 2, 2022 The Ukrainian filmmaker has said of his 2018 feature: “Let’s call it an angry film.”

Mar 1, 2022 A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

Feb 28, 2022 Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.

Feb 28, 2022 Ulysses Jenkins is an artist of extremes, an innovator who has probed the limits of a wide range of aesthetic modes for over five decades. Though he’s best known for his video art, a medium whose conventions he has been...

Feb 24, 2022 More than seventy films, including work from Sergei Parajanov, Ana Vaz, Ben Rivers, and Daïchi Saïto, are freely available worldwide.

Doc Fortnight 2022

The Daily

Feb 23, 2022 Twenty-nine nonfiction and hybrid films will screen through March 10.

Feb 23, 2022 In the 1961 screen adaptation of Lorraine Hansberry’s classic play, the actor radiantly embodies the conflicting impulses that define the character of Beneatha Younger—a modern woman filled with hope and longing.

February Books

The Daily

Feb 22, 2022 Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

Feb 22, 2022 The fourth feature by the Hong Kong filmmaker Ann Hui devastatingly lays bare the conditions that spurred hundreds of thousands of Vietnamese to flee after the fall of Saigon.

Feb 22, 2022 In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.

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