The Criterion Collection
Mar 21, 2022 — Sebastian Meise is an Austrian director and screenwriter. His acclaimed debut feature film, Still Life, premiered at the San Sebastián International Film Festival and won several awards, including Best Feature Film at Diagonale Film Festival. His documentary film Outing was...
The Daily
Mar 18, 2022 — Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.
The Daily
Mar 9, 2022 — MoMI celebrates ten years of its First Look festival with five selections from previous editions.
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Mar 3, 2022 — Retrospectives, exhibitions, and new publications celebrate the work of an endlessly fascinating artist.
The Daily
Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.
The Daily
Feb 28, 2022 — Rendez-Vous with French Cinema brings César winners and Arnaud Desplechin programs a series for FIAF.
The Daily
Feb 25, 2022 — A young Luc Moullet’s thoughts on Luis Buñuel and Ethan Hawke’s work with Richard Linklater are among this week’s highlights.
The Daily
Feb 24, 2022 — More than seventy films, including work from Sergei Parajanov, Ana Vaz, Ben Rivers, and Daïchi Saïto, are freely available worldwide.
On the Channel
Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.