The Criterion Collection
Nov 24, 2009 — For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...
Essays
Apr 14, 2008 — Allen Baron’s stark, moody Blast of Silence (1961) is a movie of many strange distinctions. It’s among the last of the true film noirs, those fatalistic black-and-white urban crime dramas that darkened the American screen so gloriously in the years...
Jun 19, 2006 — Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.
May 24, 2004 — Stray Dog, the ninth film directed by Akira Kurosawa, is a detective story that’s also meant to function as a commentary on the desperate social conditions of postwar Japan: a kind of neorealist cop movie.
Essays
May 30, 2050 — Odd Man Out, Carol Reed’s first masterpiece, introduced the theme that would shape all of his best films: a stranger’s groping quest through the labyrinth of a great city. The little French boy left to his own confused devices in...
Sep 29, 2026 — With their mix of comedy, ecstasy, and aesthetic strangeness, the French auteur’s first three features grant us access to psychic states that we might not otherwise be able to enter.
The Daily
Sep 21, 2026 — The first phase of the fall festival season wraps with a big win for Javier Calvo and Javier Ambrossi’s La bola negra.
Aug 25, 2026 — James Gray’s extraordinary debut feature is a painstakingly distilled tale of crime and family dysfunction, captured with a merciless gaze and a sharp attention to idiosyncratic detail.
On the Channel
Aug 19, 2026 — This month’s highlights include a retrospective dedicated to the always-provocative Abel Ferrara, the classic series Neon Genesis Evangelion, and a collection of high-energy tales of female rockers.
The Daily
Jun 18, 2026 — We’re wrapping the week with top docs, Black writers, screwball comedies, and appreciations of Raoul Peck and Jafar Panahi.