The Criterion Collection
May 25, 1992 — If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...
Essays
Dec 2, 1991 — Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...
Essays
Dec 6, 1987 — Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.
The Daily
Sep 11, 2026 — An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.
The Daily
Sep 4, 2026 — Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.
The Daily
Sep 3, 2026 — This year’s Venice opener propels us through the origin story of our current media hellscape.
The Daily
Sep 2, 2026 — As the fall festival season begins, let’s not overlook some of the other unmissable events happening elsewhere.
The Daily
Aug 31, 2026 — The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.
Features
Aug 27, 2026 — The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.
The Daily
Aug 27, 2026 — She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.