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May 25, 1992 If Max Ophuls hadn’t cooled his heels in Hollywood to flee the Nazis, his name might have conjured only the most unintelligible of foreign cinema—vague and inaccessible to the average American filmgoer. But in 1948 Ophuls was given an opportunity...

Dec 2, 1991 Director Akira Kurosawa had wanted to make Throne of Blood for some time. “After finishing Rashomon [in 1950] I wanted to do something with Shakespeare’s Macbeth, but just about that time Orson Welles’s version was announced, so I postponed mine.”...

The Graduate

Essays

Dec 6, 1987 Mike Nichols’s treatment of a young man’s initiation into the mysteries of sex at the hands of an older married woman has become a model for this common fantasy.

Turning Points

The Daily

Sep 11, 2026 An eclectic mix this week: Iranian cinema, archival deep dives, Neptune Frost, Pauline Kael, and It Ends.

Holding Our Own

The Daily

Sep 4, 2026 Celebrating “reticent auteurs,” a unique London distributor, and the work of Satyajit Ray and Richard Linklater.

Sep 3, 2026 This year’s Venice opener propels us through the origin story of our current media hellscape.

Other Goings On

The Daily

Sep 2, 2026 As the fall festival season begins, let’s not overlook some of the other unmissable events happening elsewhere.

Aug 31, 2026 The festival’s showcase of nineteen new restorations spans more than half a century of cinema history.

Aug 27, 2026 The illuminating 1982 documentary I Heard It Through the Grapevine follows the celebrated author on a journey through the American South, as he attempts to reckon with the legacy and losses of the civil rights movement.

Aug 27, 2026 She was a winning presence on the big screen, even if her movies were only a fraction of her monumental impact on popular culture.

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