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Jun 30, 2026 The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and struggles of the working class, generally includes the films of Italian neorealism and British social realism,...

Jun 26, 2026 We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.

Jun 25, 2026 On its fiftieth anniversary, Mikey and Nicky is back in theaters, and A New Leaf and Ishtar are screening in New York as well.

Jun 23, 2026 “Ozone Hole over Baltimore?” queries a panicky 1992 headline in the Baltimore Sun. Sure, as the article clarifies, the Maryland metropolis, eternal home base of trash icon John Waters, is no more vulnerable to ozone depletion than any other city...

Jun 15, 2026 L’Alliance New York celebrates a mischievously fruitful collaboration with a six-film series.

Jun 9, 2026 The screenwriter, director, and novelist will take an active part in all ten screenings in a TIFF Cinematheque series.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 19, 2026 New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

May 12, 2026 Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...

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