Krzysztof Kieślowski closes his Three Colors trilogy in grand fashion, with an incandescent meditation on fate and chance, starring Irène Jacob as a sweet-souled yet somber runway model in Geneva whose life dramatically intersects with that of a bitter retired judge, played by Jean‑Louis Trintignant. Meanwhile, just down the street, a seemingly unrelated story of jealousy and betrayal unfolds. Red is an intimate look at forged connections and a splendid final statement from a remarkable filmmaker at the height of his powers.
| Valentine | Irène Jacob |
| Judge Joseph Kern | Jean-Louis Trintignant |
| Karin | Frédérique Feder |
| Auguste | Jean-Pierre Lorit |
| Photographer | Samuel Le Bihan |
| Bartender | Teco Celio |
| Neighbor | Jean Schlegel |
| Woman | Elzbieta Jasinska |
| Karin’s friend | Paul Vermeulen |
| Drug dealer | Roland Carey |
| Director | Krzysztof Kieślowski |
| Producer | Marin Karmitz |
| Screenplay | Krzysztof Piesiewicz and Krzysztof Kieślowski |
| Cinematography | Piotr Sobocinski |
| Original music | Zbigniew Preisner |
| Editing | Jacques Witta |
| Sound | Jean-Claude Laureux |
| Sound mixer | William Flageollet |
| Production design | Claude Lenoir |
| Costumes | Corinne Jorry |
| Assistant director | Emmanuel Finkiel |
| Production manager | Gerard Ruey |
| Executive producer | Yvon Crenn |
| Screenplay consultants | Agnieszka Holland, Edward Zebrowski and Piotr Sobocinski |
| Dialogue translator | Marcin Latallo |
| Casting | Margot Capelier |
| Script supervisor | Geneviève Dufour |
| Technocrane operator | David Campbell |
| Steadicam operator | Riccardo Brunner |
| Set photographer | Piotr Jaxa |
| Hair and makeup | Catherine Zingg and Nathalie Tanner |
April 27, 2017
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In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological . . . Read more »
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Kie?lowski wraps up his trilogy with questions as well as answers, devising a tale of odd coincidence and mysterious presence. Read more »
April 27, 2017
The capstone to Polish filmmaker Krzysztof Kieślowski’s brilliant career, the Three Colors trilogy explores the principles of the French Revolution—liberty, equality, and fraternity—through a . . . Read more »
December 08, 2016
This weekend, the Indiana University Cinema screens Costa-Gavras’s 1969 thriller Z as part of an ongoing series of films selected by the university’s president. Loosely inspired by the 1963 . . . Read more »
October 03, 2016
A close collaboration with a composer can serve as a profound and lasting influence on a filmmaker and his or her vision. The symbiotic partnerships between Alfred Hitchcock and Bernard . . . Read more »
January 13, 2012
It’s the time of year when the list makers do their heavy lifting, looking back over the preceding twelve months and deciding what was best and brightest. We’re happy to report that some of our . . . Read more »
November 23, 2011
Nearly two decades after their release, Krzysztof Kie?lowski’s Three Colors films—Blue, White, and Red—are still eliciting ecstatic responses from critics. Read more »
By November 15, 2011
In 1989, the Communist rule that had dominated Eastern Europe since the end of the Second World War collapsed with astonishing rapidity. If the long-term political, economic, and ideological . . . Read more »
By November 15, 2011
Kie?lowski wraps up his trilogy with questions as well as answers, devising a tale of odd coincidence and mysterious presence. Read more »
“Amazing soundtrack, and excellent cinematography. One of the best trilogies in existence.”
RevancheGötz Spielmann
Three Colors: BlueKrzysztof Kieślowski
