How Jane Fonda’s Feminist Awakening Collided with Klute
The Oscar-winning actor remembers how her heightened political consciousness in the early 1970s led to her initial hesitation to take on the leading role in Alan J. Pakula’s psychological thriller.
A Neglected Reggae Classic Finally Gets Its Due
Now playing on the Criterion Channel, Franco Rosso’s underappreciated drama Babylon is one of the most essential portraits of the immigrant experience in British film history.
Agnieszka Holland’s Ironic Slant on the Unspeakable
The acclaimed Polish director explains how her international breakthrough film, Europa Europa, was inspired by a desire to tell a different, less predictable kind of Holocaust story.
From Innocence to Experience: A Conversation with Charles Williams
The director of the Palme d’Or–winning short film All These Creatures, which is now available to stream on the Criterion Channel, discusses the challenges of depicting mental illness through the eyes of a child.
The Extravagant Passions of Italian Maestro Raffaello Matarazzo
Italian cinema of the 1940s and ’50s may be most associated with the legacy of neorealism, but the tearjerking melodramas of this critically underappreciated director dominated at the box office.
10 Things I Learned: One Sings, the Other Doesn’t
The producer of our edition of Agnès Varda’s feminist musical explores the film’s roots in the women’s movement and how the director achieved its warm, playful tone.
Combining elements of her own paintings with an improvisatory Photoshop process, artist Vivienne Flesher captured the grim beauty of Bruno Dumont’s cinema for our releases of La vie de Jésus and L’humanité.
Jeremy Workman’s Top 10
A frequent Criterion collaborator who has edited many of our trailers, the director of The World Before Your Feet charts the evolution of his movie love through multiple formats and new technologies.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
The Pioneering Female Director Who Broke into the Hollywood Boy’s Club
Critic B. Ruby Rich pays tribute to the underappreciated career of Dorothy Arzner, who was the only woman directing movies in the studio system for the majority of her career.
Brian Raftery’s Top 10
The year 1999 may be this culture critic’s favorite in Hollywood history (he just wrote a book on the subject!), but the Criterion films he holds most dear span a number of different eras.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.