How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.
The Key Moment: Drawing a New Look for Notorious
The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.
Pawel Pawlikowski’s Top 10
The Oscar-winning director of Ida and Cold War walks through key periods in his life that have been shaped by his favorite films, including masterpieces by Godard, Malick, and Tarkovsky.
Diving into the Nitty-Gritty of Film Conservation in Kolkata
Members of the Criterion tech team headed to India last month to teach some practical skills in moving-image conservation at the Film Preservation & Restoration Workshop.
Euzhan Palcy Remembers Brando’s Nerves on the Set of A Dry White Season
Marlon Brando hadn’t been in a movie in almost a decade when he took on his Oscar-nominated role in A Dry White Season. The film’s director talks about the pleasures of collaborating with the legendary actor.
Angela Rizza Conjures Magic with The Princess Bride
Known for her lush and imaginative children’s-book illustrations, the artist got her dream assignment when we asked her to work on our edition of Rob Reiner’s beloved classic.
Jon Dieringer’s Top 10
The founder of the website Screen Slate picks a selection of favorites, including an ’80s indie gem, shockers ranging from Eraserhead to Canoa, and two films that capture the “twilit feeling of childhood.”
A New Restoration Brings Detour Back to the Big Screen
Long available only in substandard public-domain prints, Edgar G. Ulmer’s noir masterpiece looks better than ever in the new restoration opening at New York’s Film Forum this week.
The “Very Unusual” Fashion Show at the Heart of True Stories
In this video, artist Adelle Lutz and director David Byrne discuss the weird and wonderful outfits in a particularly outrageous set piece in the film.
Behind Marilyn Monroe’s “Period-ish” Look in Some Like It Hot
A costume designer can make characters come alive. In this new interview, two historians explore how Orry-Kelly’s gowns helped Marilyn Monroe embody one of her finest roles.
Guillermo del Toro Plunges into the Gothic Horror of The Night of the Hunter
In this video, the Oscar-winning director of The Shape of Water explains how the mix of terror and lyricism in Charles Laughton’s masterpiece went on to influence his own style.
Liv Ullmann and Bibi Andersson, Sisters in the Art
The powerhouse actors at the center of Persona became two of Ingmar Bergman’s most essential collaborators, bringing a remarkable emotional range to their performances.
Ali Abbasi’s Top 10
It’s no surprise that the director of the wildly unpredictable Border, Sweden’s entry for the best foreign-language film Oscar, has a soft spot for renegades like Pasolini, Buñuel, and Lynch.