10 Things I Learned: Visions of Eight
The producer of our edition of this ambitious omnibus film about the 1972 Munich Olympic Games details how its dynamic group of international directors came to be involved with the project.
Dustin O’Halloran’s Top 10
On the heels of the release of his latest album, Silfur, the Emmy-winning composer and pianist shares a selection of his favorite films and some thoughts on the power of a good musical score.
Artist Victo Ngai Captures the Lush, Enigmatic Layers of Flowers of Shanghai
For the cover image of our edition of Hou Hsiao-hsien’s opulent masterpiece, the award-winning illustrator combined traditional Chinese figure-drawing styles with a distinctly modern approach to color and composition.
Restoring Merrily We Go to Hell, One Warp at a Time
A member of Criterion’s team of digital-restoration artists details how he tackled the biggest challenge he faced while working on Dorothy Arzner’s 1932 film.
10 Things I Learned: Memories of Murder
The producer of our edition of this unnerving procedural shares details about director Bong Joon Ho’s approach to visual style, his commitment to verisimilitude, and the lengths to which actor Kim Sang Kyung went in order to portray his character.
World of Wong Kar Wai: Director’s Note
Many of the films in this box set are presented in new versions that feature adjustments prompted by the restoration process. Here Wong explains what compelled him to make these changes.
An Indonesian Classic in a New Light: A Conversation on the Landmark Restoration of After the Curfew
Two key figures in the pathbreaking project, Lisabona Rahman and Lintang Gitomartoyo, discuss its significance for Indonesian cinema, the challenges they faced while working on it, and the legacy of the film’s director, Usmar Ismail.
An Inside Look at Brooklyn-Based Artist Juan Miguel Marin’s Meditative Process
The man behind the artwork for our releases of The Cremator, Man Push Cart, and Chop Shop talks with us about how his Ecuadorian roots and his love of performance inform his enigmatic images.
The Intricate Portraiture at the Heart of Our Mandabi Release
New York–based artist Ify Chiejina walks us through the multifaceted process of creating four new pieces inspired by Ousmane Sembène’s 1968 satire.
Remembering Giuseppe Rotunno, a Gentle Maestro
Criterion’s technical director pays tribute to the late, great cinematographer, who worked in both Italy and the U.S., and whose brilliant eye and warm personality were well known in the film world.