The opening title sequence is an essential part of any film, establishing tone, mood, and purpose, but it can also be a little self-contained masterwork of its own. As this new piece for Art of the Title demonstrates, the opening of Martin Scorsese’s Raging Bull works in both of these ways. Its slow-motion images of Robert De Niro’s Jake LaMotta—small in the frame, bobbing and weaving as he shadowboxes in the ring—are set memorably to a theme from Pietro Mascagni’s Cavalleria rusticana, and show the character with uncommon grace, as if floating, suggesting both the violence and the spirituality of the film to come. The piece, which features an interview with Dan Perri, the title sequence’s designer, is full of information about how the sequence was achieved and well worth a read.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
From the Tarkovsky Archives
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.