We love it when great novelists write about cinema—they’re often able to capture something ineffable and magical about the form that critics may have come to take for granted. Case in point: the New York Review of Books has posted a gorgeous excerpt from a personal essay Italo Calvino (Invisible Cities) wrote in 1974 about being obsessed with Hollywood movies while growing up in Italy in the ’30s, which he remembered as a golden era before his country’s wartime embargo on American films. His observations—about, among other things, how being in a dark theater throws one’s temporal consciousness out of whack; the strength of American women on-screen; and the importance of bit-part character actors—are rich, evocative, and well worth a read. The entire long essay, “A Spectator’s Autobiography,” is available in Contra Mundum Press’s new English-language edition of the 1980 book Making a Film, by Federico Fellini.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.