By the time Roberto Rossellini joined forces with the international superstar Ingrid Bergman in the late 1940s, he had already left an indelible mark on the history of film with his groundbreaking works of neorealism, including Rome Open City, Paisan, and Germany Year Zero. With these films, “he changed what the world thinks of cinema,” according to director and world cinema expert Martin Scorsese in the following excerpt from a new interview on Criterion’s release 3 Films by Roberto Rossellini Starring Ingrid Bergman. What he did next, in the emotionally intimate Stromboli, Europe ’51, and Journey to Italy, all starring Bergman, was completely unexpected, pushing the form’s boundaries in ways that many did not understand at the time. Watch the clip to hear Scorsese explain what Rossellini was up to with these special, spiritual films, which in many ways moved against the tide of neorealism that the director had himself set in motion.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.