By the time Roberto Rossellini joined forces with the international superstar Ingrid Bergman in the late 1940s, he had already left an indelible mark on the history of film with his groundbreaking works of neorealism, including Rome Open City, Paisan, and Germany Year Zero. With these films, “he changed what the world thinks of cinema,” according to director and world cinema expert Martin Scorsese in the following excerpt from a new interview on Criterion’s release 3 Films by Roberto Rossellini Starring Ingrid Bergman. What he did next, in the emotionally intimate Stromboli, Europe ’51, and Journey to Italy, all starring Bergman, was completely unexpected, pushing the form’s boundaries in ways that many did not understand at the time. Watch the clip to hear Scorsese explain what Rossellini was up to with these special, spiritual films, which in many ways moved against the tide of neorealism that the director had himself set in motion.
Why Swing Time Is the Greatest of All Dance Films
In this excerpt from an interview on our new edition of the Astaire-Rogers classic, dance critic Brian Seibert explains how beautifully and cleverly the film integrates dance into the structure of a romantic-comedy plot.
A Moody Meditation from the Set of Blue Velvet
In a rarely seen documentary about David Lynch’s 1986 masterpiece, the director and his star, Isabella Rossellini, give their candid impressions about the creative journey they’ve embarked on together.