In this clip from the recent documentary A Testimony as an Image, which reunites members of the Rashomon crew nearly sixty years after Akira Kurosawa’s epochal film was made, lighting and electrical technician Genkon Nakaoka describes the four hours of shooting that went into creating one seemingly minor moment in the film; the interview segment is followed by the scene in question. The entire documentary, which offers invaluable insight into Kurosawa’s filmmaking process, is included in our brand-new edition of Rashomon.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
A Weekend in Lynch Land
At a two-day festival in Brooklyn, David Lynch diehards got a chance to meditate, walk through their own Eraserhead experience, and hear from the master himself.
From the Tarkovsky Archives
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.
From the Pasolini Archives
On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.