Among Kurosawa’s films set in the twentieth century, Ikiru—which you can watch for free on Hulu this week—is probably the most widely seen and beloved. This soul-searching morality tale concerns Watanabe (the haunting Takashi Shimura), a widower and city worker nearing retirement who finds out that he has stomach cancer and must decide how to spend his remaining months. Though it was made only two years after the phenomenon of Rashomon, which put Kurosawa’s name on the art-house map in the U.S., it still took nearly eight years for Ikiru to be released here (in the meantime, the more exotic period films Seven Samurai and Throne of Blood, made after Ikiru, were distributed in the States). There’s little physical action, but emotionally, it’s tumultuous, and it’s one of Kurosawa’s most beautiful films, both in terms of the compositions of its images and the depth of its characters. In this short scene, marked by Kurosawa’s expressive camera work, meet Watanabe, at his most despairing after receiving the bad news.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
A Weekend in Lynch Land
At a two-day festival in Brooklyn, David Lynch diehards got a chance to meditate, walk through their own Eraserhead experience, and hear from the master himself.
From the Tarkovsky Archives
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.
From the Pasolini Archives
On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.