The Criterion Collection
You’d be forgiven for expecting something lurid and shameless from Ingmar Bergman’s Summer with Monika after viewing this trailer for the original, dubbed American release. Also: it was based on the Time magazine story “Sin in Sweden”? News to us! (Special thanks for use of this trailer to Haden Guest and the Harvard Film Archive.)
The great French editor talks about growing up in the cutting room and how she became one of Costa-Gavras’s most trusted collaborators.
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
At a two-day festival in Brooklyn, David Lynch diehards got a chance to meditate, walk through their own Eraserhead experience, and hear from the master himself.
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.
On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.
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