Last year, we told you about Daniel Eagan’s rigorous, informative, and very entertaining book America’s Film Legacy, a guide to the titles chosen for the National Film Registry, which was instituted following 1988’s National Film Preservation Act. The tome is invaluable not only for being a compendium of these preserved movies but also for Eagan’s writing, which is extensively researched and smartly critical. Now, Continuum Press has released Eagan’s supplemental America’s Film Legacy: 2009–2010, which gives the same treatment to the fifty landmark movies added to the registry in the past two years. Criterion viewers will be happy to note the inclusion of Leo McCarey’s Make Way for Tomorrow (which gets a detailed exegesis of how its unabashed tear-jerking repelled audiences in the late thirties) and the Maysles’s Grey Gardens (with background on the vérité filmmakers’ motivations and questions about the nature of the film’s play with reality). We look forward to seeing what films will be added in the future.
A Born Editor: Remembering Françoise Bonnot (1939–2018)
The great French editor talks about growing up in the cutting room and how she became one of Costa-Gavras’s most trusted collaborators.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
A Weekend in Lynch Land
At a two-day festival in Brooklyn, David Lynch diehards got a chance to meditate, walk through their own Eraserhead experience, and hear from the master himself.
From the Tarkovsky Archives
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.