Poignant news to pass along: our good friend and frequent contributor Michael Sragow has announced on his Baltimore Sun blog that at the end of this week, he will be hanging up his hat as a regular film critic. This comes after forty-two years as one of the sharpest reviewers of the contemporary cinematic landscape, taking him from New York magazine to the Boston Phoenix, the Los Angeles Herald Examiner, Rolling Stone, the New Yorker, and beyond. To mark the occasion, he has written about the early part of his career, reminiscing on the first twelve years of his life as a critic, most of them during that thrilling decade the 1970s, when auteurs like Peckinpah, De Palma, and Coppola were stirring passions and inciting debate. Sragow also provides a sweet anecdote about his interactions with Peter Bogdanovich, and mentions his friendship with Pauline Kael (a subject that helped inform his recent essay for the Criterion release of De Palma’s Blow Out). We’ll miss your regular columns, Mike, but we know we’ll be working with you again soon!
A Born Editor: Remembering Françoise Bonnot (1939–2018)
The great French editor talks about growing up in the cutting room and how she became one of Costa-Gavras’s most trusted collaborators.
A Sound for Love and Loss: Bo Harwood on A Woman Under the Influence
With just piano and guitar, longtime Cassavetes collaborator Bo Harwood created a score that highlights the melancholy in the director’s acclaimed domestic drama.
A Weekend in Lynch Land
At a two-day festival in Brooklyn, David Lynch diehards got a chance to meditate, walk through their own Eraserhead experience, and hear from the master himself.
From the Tarkovsky Archives
On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.