Criterion designer extraordinaire Eric Skillman used a distinctive drawing style of his own devising for our release of Fassbinder’s Berlin Alexanderplatz (and blogged about it here and here). Sitting across from him in a meeting the other day, we noticed that his phone bears an image from The Steel Helmet that he’s given the same treatment—he had his file made into this skin here. If only he’d start a sideline in making these (he won’t); our mouths are watering at the possibilities.
A Dark Vision, in Paper Cutouts: Our Cremator Cover
The Brooklyn-based design studio La Moutique took the eerie, collage-style opening sequence of Juraj Herz’s film as inspiration for its wildly surrealistic cover design.
The Intricate Layers of The Cranes Are Flying, Captured in Collage
One of the designers behind our new edition of Mikhail Kalatozov’s masterpiece walks through the creative exploration that led to the final cover image.
Our Eye-Popping Tribute to Silver-Screen Magician Karel Zeman
The meticulously layered images in the Czech master’s fantasies inspired the pop-up artwork in our new Blu-ray release of Three Fantastic Journeys by Karel Zeman.