United States
1958
91 minutes
Color
1.66:1
English
91
“Beware of the Blob!” One of the great cult classics, The Blob melds ’50s schlock sci-fi and teen delinquency pics even as it transcends these genres with strong performances and ingenious special effects. Made outside of Hollywood by a maverick film distributor, a crew experienced in religious and educational shorts, and a collection of theatrical talent from Philadelphia and New York, The Blob helped launch the careers of superstud Steve McQueen and composer Burt Bacharach.
| Steve Andrews | Steve McQueen |
| Jane Martin | Aneta Corsaut |
| Lieutenant Dave | Earl Rowe |
| Old Man | Olin Howlin |
| Dr. T. Hallen | Stephen Chase |
| Sergeant Jim Bert | John Benson |
| Officer Ritchie | George Karas |
| Henry Martin | Elbert Smith |
| Director | Irvin S. Yeaworth |
| Producer | Jack H. Harris |
| Screenplay | Theodore Simonson and Kate Phillips |
| From an original idea by | Irvine H. Millgate |
| Cinematography | Thomas Spalding |
| Editing | Alfred Hillmann |
| Special effects | Bart Sloane |
| Music supervisor | Jean Yeaworth |
| Makeup | Vin Kehoe |
| Music composed and conducted by | Ralph Carmichael |
| Title theme by | Burt Bacharach and Mack David |
The horror and science fiction films of the 1950s were always in search of new monsters. A teenage werewolf was a compromise, targeting the new audience with a variation on an old idea. The original creations made their pictures unforgettable: Invaders from Mars (1953),
The Blob on laserdisc? Oh, come on. Isn’t it just a ‘50s, black and white, small screen, cheesy horror flick? Wrong. If you only saw The Blob twenty years ago on your parents’ old Zenith, you’re in for a surprise. The Blob is widescreen, The Blobis in color, and The...
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