Three Reasons: People on Sunday
June 29, 2011
Years before they became major players in Hollywood, a group of young German filmmakers—including eventual noir masters Robert Siodmak and Edgar G. Ulmer and future Oscar winners Billy Wilder and Fred Zinnemann—worked together on the once-in-a-lifetime collaboration People on Sunday (Menschen am Sonntag). This effervescent, sunlit silent, about a handful of city dwellers (a charming cast of nonprofessionals) enjoying a weekend outing, offers a rare glimpse of Weimar-era Berlin. A unique hybrid of documentary and fictional storytelling, People on Sunday was both an experiment and a mainstream hit that would influence generations of film artists around the world.
| Himself (taxi driver) | Erwin Splettstösser |
| Herself (record seller) | Brigitte Borchert |
| Himself (wine seller) | Wolfgang von Waltershausen |
| Herself (extra in films) | Christl Ehlers |
| Herself (model) | Annie Schreyer |
| Himself | Kurt Gerron |
| Herself | Valeska Gert |
| Himself | Heinrich Gretler |
| Herself | Ernö Verebes |
| Director | Robert Siodmak and Edgar G. Ulmer |
| Produced by | Heinrich Nebenzal and Edgar G. Ulmer |
| Photography | Eugen Schüfftan |
| Script | Billy Wilder |
| From a reportage by | Kurt Siodmak |
| Cinematography assistance | Fred Zinnemann |
| Lighting technician | Moriz Seeler |
By June 27, 2011
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By June 27, 2011
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Shot in Berlin on the eve of the Great Depression with almost no budget, an equally modest . . . Read more »
“Why is this movie not more well known? It launched the careers of four talented filmmakers.”