Night and Fog: Origins and Controversy
By June 23, 2003
It’s a tribute to the clarity and cogency of Night and Fog that Resnais’ masterpiece has not . . . Read more »
Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz. One of the first cinematic reflections on the horrors of the Holocaust, Night and Fog (Nuit et brouillard) contrasts the stillness of the abandoned camps’ quiet, empty buildings with haunting wartime footage. With Night and Fog, Resnais investigates the cyclical nature of man’s violence toward man and presents the unsettling suggestion that such horrors could come again.
| Director | Alain Resnais |
| Producer | Anatole Dauman, Samy Halfon and Philippe Lifchitz |
| Cinematography | Sacha Vierny and Ghislain Cloquet |
| Text | Jean Cayrol |
| Historical consultants | Olga Wormser and Henri Michel |
| Music | Hanns Eisler |
By June 23, 2003
It’s a tribute to the clarity and cogency of Night and Fog that Resnais’ masterpiece has not . . . Read more »
By June 23, 2003
François Truffaut once called Night and Fog “the greatest film ever made.” If you don’t . . . Read more »
By June 23, 2003
It’s a tribute to the clarity and cogency of Night and Fog that Resnais’ masterpiece has not . . . Read more »
By June 23, 2003
François Truffaut once called Night and Fog “the greatest film ever made.” If you don’t . . . Read more »
By June 23, 2003
It’s a tribute to the clarity and cogency of Night and Fog that Resnais’ masterpiece has not . . . Read more »
By June 23, 2003
François Truffaut once called Night and Fog “the greatest film ever made.” If you don’t . . . Read more »
“The single most thought-provoking documentary not only on the Holocaust, but of all time.”