Passion Play
Mar 8, 2010Forty-seven years after Anna Karina communed with The Passion of Joan of Arc’s Maria Falconetti in Vivre sa vie, Carl Theodor Dreyer’s Saint Joan continues to inspire artists. According . . .
France
1928
110 minutes
Black and White
1.33:1
62
With its stunning camerawork and striking compositions, Carl Th. Dreyer’s The Passion of Joan of Arc convinced the world that movies could be art. Renée Falconetti gives one of the greatest performances ever recorded on film, as the young maiden who died for God and France. Long thought to have been lost to fire, the original version was miraculously found in perfect condition in 1981—in a Norwegian mental institution. Criterion is proud to present this milestone of silent cinema in a new special edition featuring composer Richard Einhorn’s Voices of Light, an original opera/oratorio inspired by the film.
| Jeanne | Renée Falconetti |
| Pierre Cauchon | Eugène Silvain |
| Jean d’Estivet | André Berley |
| Nicolas Loyseleur | Maurice Schutz |
| Jean Massieu | Antonin Artaud |
| Jean Lemaître | Gilbert Dalleu |
| Nicolas de Houppeville | Jean d’Yd |
| Jean Beaupère | Louis Ravet |
| Director | Carl Th. Dreyer |
| Cinematography | Rudolf Maté |
| Screenplay | Carl Th. Dreyer |
| In collaboration with | Joseph Delteil |
| Historical consultant | Pierre Champion |
| Art direction | Hermann Warm |
| Production Design | Jean Hugo |
| Costumes | Valentine Hugo |
Forty-seven years after Anna Karina communed with The Passion of Joan of Arc’s Maria Falconetti in Vivre sa vie, Carl Theodor Dreyer’s Saint Joan continues to inspire artists. According . . .
The virgin of Orleans and those matters that surrounded her death began to interest me when the shepherd girl’s canonization in 1920* once again drew the attention of the public-at-large to the events and actions involving her—and not only in France. In addition to Bernard Shaw’s ironical play . . .
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