Cattle Call
By Chuck Stephens
10 Things I Learned: Medium Cool
By Abbey Lustgarten
Medium Cool: Preserving Disorder
By Thomas Beard

There are disturbing movie scenes, and then there are disturbing movie scenes. The following, from Norman Mailer’s Maidstone, is not for the faint of heart. The 1970 film is the ultimate example of Mailer’s cinematic philosophy, which held that a thin veil of fiction could better expose people for who they really were than the supposedly unadorned reality of Direct Cinema, then the documentary mode du jour. Shot over the course of five drug-fueled days in East Hampton, New York, Maidstone stars Mailer as an underground filmmaker and presidential candidate surrounded by both followers and enemies. Near the end of the film, reality bleeds, quite literally, into the film when Mailer’s costar Rip Torn explodes in a hammer-wielding fury and attacks Mailer. Luckily (or not, depending on your point of view), the cameras were rolling and captured the resulting violent brawl. Nothing about this splenetic rage is staged. (Warning: the clip contains NSFW language.)
15 comments
By JM
August 27, 2012
03:51 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By David Kelly
August 27, 2012
07:29 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Mathew Seed
August 28, 2012
12:44 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Paul J. Marasa
August 29, 2012
11:45 AM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Shaun
August 29, 2012
04:58 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Ed
September 07, 2012
08:50 PM
By Edgar Neubauer
September 09, 2012
02:23 AM
By Dosch
September 01, 2012
02:47 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Jeff Stills
September 01, 2012
08:59 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By anne minich
September 07, 2012
03:46 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By GTW
September 07, 2012
06:23 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Alkmar
September 07, 2012
10:24 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By Criteriophile
September 07, 2012
10:30 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By potlibaba
September 08, 2012
04:50 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
By gerald doherty
September 09, 2012
03:11 PM
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.
Or log in and post using your Criterion.com account.
You are logged in to your Criterion.com account as . Log out.