Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...

Sep 27, 2018 — A look inside the process of collaborating with Terrence Malick on the new cut of his 2011 masterpiece.

Apr 27, 2023 — Over the course of her four-decade career, the pioneering Indian documentary filmmaker has demonstrated the important roles that joy and pleasure play in the process of political change.

Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.

Jan 3, 2008 — We’ve received a number of letters recently inquiring about the various versions of Bernardo Bertolucci’s The Last Emperor. I’ve been immersed in the film for several months now and wanted to clarify a few misconceptions. When I started working on...

Oct 29, 2015 — Matthew Weiner is the award-winning creator, writer, and executive producer of the series Mad Men. About the process of compiling his Criterion Top 10, Weiner wrote, “I’m not a big fan of lists and it’s even harder when you peruse...

Dec 5, 2024 — The creative director of Miami-based studio EDGLRD, which he cofounded with filmmaker Harmony Korine, describes the process of creating the cover artwork for Criterion’s recently released Gummo edition.

Sep 20, 2017 — Award-winning author Maile Meloy talks about the process of having her short stories translated to the screen in Certain Women.

May 13, 2009 — It doesn’t really come as a surprise that Chris Marker is a devoted inhabitant of the virtual world Second Life. After all, one could call the playful French filmmaker and multimedia artist’s kitty—and alter ego—Guillaume-en-Egypt a trailblazing avatar (when asked...

Sep 22, 1997 — The English Patient was the ?rst book of Michael Ondaatje’s I had read, and I thought it was remarkable.Two weeks after ?nishing the novel, Anthony Minghella telephoned from London and asked, “How could we do this as a movie?” Being...