A sharply perceptive chronicler of the American West, award-winning author Maile Meloy found her cinematic match in independent filmmaker Kelly Reichardt, whose work (Old Joy, Wendy and Lucy) shares her contemplative approach to capturing the rhythms of everyday life in that part of the country. A few years ago, the director requested to adapt a handful of Meloy’s short stories, and the result is Certain Women, a quietly haunting film that follows the interlocking stories of three women grappling with the limitations of their small-town surroundings: a lawyer (Laura Dern) dealing with an unstable client, a wife and mother (Michelle Williams) navigating the fraught dynamics of her marriage, and a night-school teacher (Kristen Stewart) who strikes up an ambiguous relationship with a ranch hand (Lily Gladstone). In this excerpt from an interview on our newly released edition of the film, Meloy talks with us about how her childhood experiences in Montana have informed her writing and what it felt like to have her words brought to the screen.
Finding the Life of the Party in Cold Water
Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.
Undressing Souls in Scenes from a Marriage
What does it take for actors to be completely vulnerable with each other? Liv Ullmann and Erland Josephson reflect on the close friendship that informed their work in one of Ingmar Bergman’s most ambitious dramas.