A sharply perceptive chronicler of the American West, award-winning author Maile Meloy found her cinematic match in independent filmmaker Kelly Reichardt, whose work (Old Joy, Wendy and Lucy) shares her contemplative approach to capturing the rhythms of everyday life in that part of the country. A few years ago, the director requested to adapt a handful of Meloy’s short stories, and the result is Certain Women, a quietly haunting film that follows the interlocking stories of three women grappling with the limitations of their small-town surroundings: a lawyer (Laura Dern) dealing with an unstable client, a wife and mother (Michelle Williams) navigating the fraught dynamics of her marriage, and a night-school teacher (Kristen Stewart) who strikes up an ambiguous relationship with a ranch hand (Lily Gladstone). In this excerpt from an interview on our newly released edition of the film, Meloy talks with us about how her childhood experiences in Montana have informed her writing and what it felt like to have her words brought to the screen.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.
A World-Cinema Master Gives the World One Last Look
After his father’s death in 2016, Ahmad Kiarostami helped complete the conceptually daring meditation on image-making the great Iranian director had been working on for the last five years of his life.
Euzhan Palcy Remembers Brando’s Nerves on the Set of A Dry White Season
Marlon Brando hadn’t been in a movie in almost a decade when he took on his Oscar-nominated role in A Dry White Season. The film’s director talks about the pleasures of collaborating with the legendary actor.