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Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.

The host of Track Star and Public Opinion talks about why The Last Waltz is the greatest concert movie ever made, praises Aki Kaurismäki’s singular sense of humor and visual style, and selects some his favorite melodramas, including Written on...

The writer, prducer, and performer talks about his revelatory experiences watching Happiness and Trainspotting for the first time, shares why he finds The Last Waltz to be such an emotional and unique documentary, and praises performances by Robert De Niro...

Oct 15, 2026 — Channel Calendars This November, discover the link between pop style and turn-of-the-century cinema’s exuberant visual innovation with From MTV to Hollywood, a collection gathering work from directors who honed their imaginations making music videos before unleashing their talents on the...

Apr 29, 2022 — Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

November Books

The Daily

Nov 24, 2025 — This month brings new collections from Melissa Anderson and A. S. Hamrah and a whole shelf of lives lived with the movies.

May Books

The Daily

May 29, 2025 — Women of the French New Wave, New York in the 1960s, and the scenes behind the scenes are among the many subjects tackled this month.

Dec 29, 2022 — Martin Scorsese, Hayao Miyazaki, Catherine Breillat, Michael Mann, Christian Petzold, David Fincher . . .

April Books

The Daily

Apr 13, 2021 — This month’s round spans from the earliest days of cinema, through Hollywood’s golden age and Scorsese’s Raging Bull to Sharon Stone’s memoir.

Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”

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