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The Criterion Channel’s May 2022 Lineup

On the Channel

Apr 29, 2022

The Criterion Channel’s May 2022 Lineup

The Criterion Channel’s May 2022 Lineup

On the Channel

Apr 29, 2022

This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take a page from the winningly curious, avidly cinephilic Linklater’s book and dive into our May offerings, which include tributes to the tough-as-nails Hollywood great Ida Lupino and the laconic French everyman Jean Gabin, a revelatory spotlight on Asian American filmmaking in the 1990s, a special Mother’s Day selection focused on the actresses who personified American cinema in the 1980s, and so much more!

* indicates programming available July 1
** indicates programming available only in the U.S.


Directed by Richard Linklater


For more than three decades, Richard Linklater has maintained a fierce creative independence—forged in the vibrant alternative scene of Austin, Texas—across boundary-pushing microbudget experiments and major studio projects alike. Selected by the director himself, this tour through his filmography encompasses everything from a loose-limbed 1920s heist romp (The Newton Boys) to an animated science-fiction head-trip (A Scanner Darkly) to a ripped-from-the-headlines dark comedy (Bernie), bringing together unsung gems and modern classics. Though his work zigs and zags unpredictably, it’s united by an abiding fascination with the complexities of human connection and the inexorability of time’s passage—whether it be across one day (as in his Gen X anthem Slacker) or more than a decade (as in his twelve-years-in-the-making magnum opus Boyhood). Mixing features, rare short films, documentaries, and experimental works, this personal selection of Linklateriana reveals the remarkable breadth and depth of one of contemporary cinema’s most restlessly innovative voices.

FEATURES: Slacker (1991), Heads I Win/Tails You Lose (1991) Before Sunrise (1995)*, SubUrbia (1996), The Newton Boys (1998), Tape (2001), Before Sunset (2004)*, A Scanner Darkly (2006), Inning by Inning: A Portrait of a Coach (2008), Me and Orson Welles (2008)**, Bernie (2011)**, Double Play: James Benning and Richard Linklater (2013), Before Midnight (2013)*, Boyhood (2014), Richard Linklater: Dream Is Destiny (2016)

SHORTS: Live from Shiva’s Dance Floor (2003), Fire Ted Cruz (2018), Another Day at the Office (2019)

Starring Ida Lupino


In addition to being one of the only women to direct movies in studio-era Hollywood, Ida Lupino was a formidable and versatile actor who brought a defiant toughness and intelligence to her many memorable screen performances. After failed attempts by studio moguls to mold her into another blonde starlet à la Jean Harlow, Lupino dyed her hair brown and stole the show with her steely presence in noir classics like They Drive by Night and High Sierra. Though she began to focus primarily on producing and directing her own films in the late forties, she continued to act regularly, delivering searing performances in lesser-known gems like the atmospheric western noir Lust for Gold and Robert Aldrich’s slashing Hollywood-on-Hollywood exposé The Big Knife.

FEATURING: Peter Ibbetson (1935), They Drive by Night (1940), High Sierra (1941)**, Out of the Fog (1941), The Sea Wolf (1941), Moontide (1942), The Hard Way (1943), The Man I Love (1946), Lust for Gold (1949), Woman in Hiding (1950)**, The Big Knife (1955), Women’s Prison (1955), While the City Sleeps (1956)

Death and Taxes: 11 Satires by Juzo Itami


Featuring an episode of the Criterion Originals series Creative Marriages on Itami’s collaboration with Nobuko Miyamoto

Maverick director Juzo Itami didn’t direct his first feature—the alternately bawdy and bittersweet satire The Funeral—until the age of fifty, but it announced the arrival of a fully formed sensibility unafraid of skewering the most sensitive aspects of Japanese society. Though his follow-up, the rapturous “ramen western” Tampopo, would become his biggest international hit, it is only one jewel in a remarkably rich filmography that abounds in funny, sensual, and surreal pleasures. Frequently built around strong women—almost always embodied by his regular leading lady and real-life wife, the indomitable Nobuko Miyamoto—Itami’s films take bold, iconoclastic aim at everything from corporate corruption (A Taxing Woman) to mortality (The Last Dance). With his incendiary yakuza spoof The Gentle Art of Japanese Extortion, Itami may have succeeded too well; the film’s blockbuster success made the director a target of violent yakuza retaliation—and allegedly played a role in his mysterious death at age sixty-four.

FEATURES: The Funeral (1984), Tampopo (1985), A Taxing Woman (1987), A Taxing Woman’s Return (1988), Tales of a Golden Geisha (1990), The Gentle Art of Japanese Extortion (1992), The Last Dance (1993), A Quiet Life (1995), Supermarket Woman (1996), Woman in Witness Protection (1997)

SHORTS: Rubber Band Pistol (1962)

Films of Endearment


In his book Films of Endearment, critic Michael Koresky embarks on a personal and historical journey with his mother to rewatch movies from the 1980s she had first introduced him to, igniting his love of film at a young age. In this selection of films inspired by the theme of the book, Koresky presents a lineup of eighties movies starring some of American cinema’s most brilliant, era-defining actresses, from major Oscar winners (Sissy Spacek, Meryl Streep, Anjelica Huston, Jessica Lange) to the undersung stars of independent gems (Kaycee Moore, Seret Scott, Helen Shaver). All featuring women in leading roles, these films reveal that a decade too often remembered for its machismo is abundant in stirring, adult, beautifully acted dramas focused on female characters.

FEATURING: Resurrection (1980)**, Raggedy Man (1981)**, Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982), Frances (1982), Losing Ground (1982), Personal Best (1982), Yentl (1983), Bless Their Little Hearts (1984), Falling in Love (1984), Desert Hearts (1985), Murphy’s Romance (1985), Smooth Talk (1985), ’night, Mother (1986)**, Something Wild (1986), Violets Are Blue (1986), The Dead (1987), A Cry in the Dark (1988)

My Sight Is Lined with Visions: 1990s Asian American Film & Video


While recent years have marked a breakthrough in Asian American representation in mainstream cinema, there exists a vibrant counter-history of boundary-pushing independent and experimental filmmaking by Asian American artists that remains largely overlooked. Revisiting the wide-ranging film and video work produced by Asian American filmmakers in the 1990s, My Sight Is Lined with Visions spotlights iconoclastic voices whose work challenges both stylistic conventions and traditional modes of representation, including Trinh T. Minh-ha, whose 1989 feature Surname Viet Given Name Nam heralded a decade of formally ambitious filmmaking to come; Rea Tajiri (Strawberry Fields), whose work confronts the scars of Japanese American interment; Spencer Nakasako (Kelly Loves Tony), who pioneered a form of collaborative documentary filmmaking that gives young people the lens to tell their own stories; and Justin Lin and Quentin Lee, whose outré Shopping for Fangs deserves to takes its place as a queer cult classic. This collection is curated by Abby Sun and Keisha Knight, and is an expansion of their online screening and discussion series, which ran from January 2021–January 2022.

FEATURES: Surname Viet Given Name Nam (1989), The Living End (1992), Some Divine Wind (1992), Terminal USA (1993), Fresh Kill (1994), Bontoc Eulogy (1995), Picture Bride (1995)**, Shopping for Fangs (1997), Strawberry Fields (1997), Kelly Loves Tony (1998)

SHORTS: Sally’s Beauty Spot (1990), Banana Split (1991), History and Memory: For Akiko and Takashige (1991), Voices of the Morning (1992), The Trained Chinese Tongue (1994), Melons (At a Loss) (1998), Sea in the Blood (2000)

France’s Everman: 10 Films Starring Jean Gabin


Exuding a gruff, jaded cynicism, Jean Gabin became the defining face of pre–New Wave French cinema, embodying its downtrodden, working-class heroes with a mix of smoldering charisma and sardonic ennui. His renowned collaborations with leading directors like Jean Renoir (Grand Illusion, La bête humaine) and Julien Duvivier (Pépé le moko) placed him at the center of the burgeoning poetic-realist movement and, inevitably, attracted the attention of Hollywood—which sought to sell his Gallic earthiness to American audiences in the fascinating, if ill-fated, noir Moontide. Returning to France, Gabin took his rightful place as a living, almost mythic symbol of his country’s national cinema, reuniting with Renoir for the spectacular period musical French Cancan and teaming up with his next-generation successor, Jean-Paul Belmondo, in the alcohol-soaked seriocomedy A Monkey in Winter.

FEATURING: The Lower Depths (1936), Grand Illusion (1937), Pépé le moko (1937), La bête humaine (1938), Remorques (1941), Moontide (1942), Le plaisir (1952), French Cancan (1955), A Monkey in Winter (1962), Any Number Can Win (1963)


True Mothers


After a long and unsuccessful struggle to get pregnant, Satoko (Hiromi Nagasaku) and her husband (Arata Iura) decide to adopt a child. Over the next six years, the middle-class couple and their young son, Asato (Reo Sato), settle into a comfortable, albeit routine, life. The family’s orderly existence is shattered by the arrival of Hikari (Aju Makita), a young woman claiming to be Asato’s biological mother, demanding his return. As tensions mount, Satoko grows more and more emboldened to defend her family. Weaving together multiple timelines and genres with contemplative pacing and a keen sense of place, acclaimed director Naomi Kawase crafts an emotionally rich, deeply compassionate look at the many definitions of motherhood.

Thing From the Factory by the Field


A band of teenage metalheads get more than they bargained for when they accidentally kill a demon during a satanic ritual.

Eyimofe (This Is My Desire)

Criterion Collection Edition #1121

This revelatory, award-winning debut feature from codirec­tors (and twin brothers) Arie and Chuko Esiri is a heartrending and hopeful portrait of everyday human endurance in Lagos, Nigeria. Shot on richly textured 16 mm film and infused with the spirit of neorealism, Eyimofe (This Is My Desire) traces the journeys of two distantly connected strangers—Mofe (Jude Akuwudike), an electrician dealing with the fallout of a family tragedy, and Rosa (Temi Ami-Williams), a hairdresser supporting her pregnant teenage sister—as they each pursue their dream of starting a new life in Europe while bumping up against the harsh economic realities of a world in which every interaction is a transaction. From these intimate stories emerges a vivid snapshot of life in contemporary Lagos, whose social fabric is captured in all its vibrancy and complexity.

SUPPLEMENTAL FEATURES: A conversation between the directors moderated by filmmaker Bette Gordon, deleted scenes, three short films by the directors, and more.


The Parallax View (Alan J. Pakula, 1974)

Criterion Collection Edition #1064

This definitive 1970s conspiracy thriller offers a chilling vision of a paranoid America quivering with unseen menace.

SUPPLEMENTAL FEATURES: An introduction by filmmaker Alex Cox, interviews with director Alan J. Pakula, a program on cinematographer Gordon Willis, and more.

Charade (Stanley Donen, 1963)

Criterion Collection Edition #57

Audrey Hepburn and Cary Grant are the ultimate in chic sophistication in Stanley Donen’s glittering blend of stylish suspense and macabre wit.

SUPPLEMENTAL FEATURES: Audio commentary featuring Donen and screenwriter Peter Stone.

High Sierra (Raoul Walsh, 1941)**

Criterion Collection Edition #1099

Humphrey Bogart received his star-making breakthrough with this landmark crime drama that helped usher in a new era of noir nihilism.

SUPPLEMENTAL FEATURES: A conversation on director Raoul Walsh between film programmer Dave Kehr and critic Farran Smith Nehme, documentaries on Walsh and Bogart, a featurette on the making of the film, and more.


Secrets of the Hollywood Archives: Action in the North Atlantic


How did classic Hollywood’s special-effects artists create the extraordinary illusions that thrilled and delighted generations of moviegoers long before the advent of digital technology? In this new original series, visual-effects artist Craig Barron and sound designer Ben Burtt dig into the studio vaults to uncover the rare, behind-the-scenes footage that reveals the process behind movie magic. First up, learn the surprising tricks used to create the realistic torpedo footage seen in the 1943 Humphrey Bogart submarine thriller Action in the North Atlantic.


Directed by Naomi Kawase


Building from an early start in nonfiction filmmaking, Naomi Kawase has developed a lyrical, quietly affecting body of work over the past three decades, exploring Japanese family structures and cultural values through a profoundly empathetic lens. Describing her narrative works as “fiction with a documentarian’s gaze,” Kawase steeps her films in the beauty and sensual pleasures of the natural world, finding deep spiritual and philosophical resonances. Featuring the moving slice-of-life drama Sweet Bean and the streaming premiere of Kawase’s latest, the heartrending family portrait True Mothers, this sampler of some of Kawase’s recent films offers an introduction to an artist of supreme sensitivity and emotional insight.

FEATURING: Still the Water (2014), Sweet Bean (2015), Radiance (2017)**, True Mothers (2020)

Le navire Night


Featuring the documentary Marguerite as She Was

Writer and filmmaker Marguerite Duras explores the matrix of love, desire, and language in a riveting expression of her experimental approach to filmmaking.

Fresh Kill


New-media visionary Shu Lea Cheang’s ecosatire offers a bracing, queer feminist response to the patriarchal poison of corporate capitalism.

Documentaries by Christine Choy


An electrifying activist spirit runs through the work of Chinese American documentarian Christine Choy, an Oscar nominee who has been using her camera to shed light on hidden social histories and injustices for nearly fifty years. Whether tracing the evolution of Chinese American labor organizing (From Spikes to Spindles) or exposing the devastating legacy of American imperialism (Bittersweet Survival), Choy pursues truth with an uncompromising fearlessness that has the power to reorient her viewers’ understanding of the world.

FEATURING: From Spikes to Spindles (1976), Inside Women Inside (1978), Bittersweet Survival (1982), Mississippi Triangle (1984), Homes Apart: Korea (1991)

More women filmmakers featured in this month’s programming: Short Films by Mira Nair, The Trouble With Angels (1966), Losing Ground (1982), Yentl (1983), Desert Hearts (1985), Smooth Talk (1985), Cycles (1989), Surname Viet Given Name Nam (1989), Privilege (1990), Sally’s Beauty Spot (1990), History and Memory: For Akiko and Takashige (1991), Voices of the Morning (1992), The Trained Chinese Tongue (1994), Picture Bride (1995), Strawberry Fields (1997), Melons (At a Loss) (1998), Certain Women (2016), Down a Dark Stairwell (2020), E•pis•to•lar•y: Letter to Jean Vigo (2021)


Antisocial Animals: Five Films by Joel Potrykus


Working defiantly out of Grand Rapids, Michigan, underground auteur Joel Potrykus makes scrappy, darkly comic portraits of losers, slackers, metalheads, outcasts, and weirdos raging against the system as they struggle to get by on the margins of America’s heartland. The four caustic, apocalyptically funny features he has directed to date—frequently starring the Keatonesque Joshua Burge—are presented here alongside the streaming premiere of his new satanic creature-feature short Thing From the Factory by the Field.

FEATURING: Ape (2012), Buzzard (2014), The Alchemist’s Cookbook (2016), Relaxer (2018), Thing From the Factory by the Field (2022)


The Last Waltz (Martin Scorsese, 1978)

Criterion Collection Edition #1118

Martin Scorsese’s chronicle of the Band’s legendary farewell concert is an at once ecstatic and elegiac summation of a vital era in American rock music.

SUPPLEMENTAL FEATURES: Two audio commentaries featuring Scorsese, crew members, and musical performers; interviews with Scorsese and Robbie Robertson; a documentary on the making of the film; and more.

On the Bowery


Lionel Rogosin’s landmark of American neorealism is an indispensable document of life on 1950s New York’s skid row.

Peter and the Farm


A farmer haunted by alcoholism and regret is the unforgettable antihero of this true-life tragedy, both a postcard from paradise and a cautionary tale for our times.

Down a Dark Stairwell


The killing of an unarmed Black man by a Chinese American police officer sheds urgent light on the relationship between race, justice, and two marginalized communities.

5 Broken Cameras


Filmed by a Palestinian farmer, this work of cinematic activism is an extraordinary account of nonviolent resistance in a West Bank village.

More documentaries featured in this month’s programming: Documentaries by Christine Choy, Surname Viet Given Name Nam (1989), Bontoc Eulogy (1995), Buena Vista Social Club (1999), Marguerite as She Was (2003), Inning by Inning: A Portrait of a Coach (2008), Double Play: James Benning and Richard Linklater (2013), Inna de Yard: The Soul of Jamaica (2019)


The Point


Ringo Starr narrates this Seussian, psychedelic animated fable, featuring a story and songs by pop wizard Harry Nilsson.

The Trouble with Angels


Rosalind Russell and Hayley Mills make for a delightful duo in this sweet-spirited celebration of sisterhood from director Ida Lupino.

Time Bandits


Terry Gilliam invites you on a fantastic voyage through time and space in one of his most beloved films, at once a giddy fairy tale, a revisionist history lesson, and a satire of technology gone awry.

The Jackie Robinson Story**


Baseball legend Jackie Robinson stars as himself in this inspiring account of how he overcame prejudice to become the first Black American to play in the major leagues.


Short Films by Mira Nair


Featuring introductions to all shorts by the filmmaker

Hailed for her vibrant explorations of culture clash and connection in films like Monsoon Wedding and Mississippi Masala, Indian American auteur Mira Nair has pursued an equally distinguished career as a director of short films that further explore the ways in which deep-rooted cultural traditions and prejudices shape everyday life. Bringing together early documentary works—including the revealing study of Indian moral hypocrisy India Cabaret, about the experiences of women working in a Mumbai strip club—alongside narrative shorts like the searing portrait of post-9/11 anti-Muslim racism 11’09”01—September 11, this collection reflects Nair’s deep and abiding concern for society’s most marginalized members.

FEATURING: So Far from India (1983), India Cabaret (1985), The Day the Mercedes Became a Hat (1993), The Laughing Club of India (2001), 11’09”01—September 11 (2002), How Can It Be? (2008), Migration (2008)

You Say You Want a Revolution
E•pis•to•lar•y: Letter to Jean Vigo and Zéro de conduite


Cinematic essayist Lynne Sachs ponders the contemporary resonances of Jean Vigo’s sublime antiauthoritarian classic.

Pleasures of the Flesh
A Few Miles South and Eating Raoul


You are what you eat—literally—in this double helping of deliciously macabre cannibal capers.

Her Body, Her Story
Cycles and Privilege


Women’s bodily rhythms are explored in two intimate, formally inventive films that also question how, why, and by whom these stories are told.

Trouble Exposure
Family Portrait and The Machine That Kills Bad People


The act of photography takes on disturbing dimensions in a warped animation and a rare combination of neorealism and fantasy.


Quite an Undertaking
The Funeral and Bernie


You can’t spell funeral without “fun” in two boldly irreverent satires of the business of death.

Second Acts
Inna de Yard: The Soul of Jamaica and Buena Vista Social Club


Two graceful, intimate, and life-affirming documentaries pay tribute to the veterans of thriving music scenes in Cuba and Jamaica.

High-Stakes Heists
High Sierra and Any Number Can Win


Tough guys try to beat the house as they go for the ultimate jackpot—a casino heist—in a landmark noir and an ice-cool French caper.

Triple Play
Wheel of Fortune and Fantasy and Certain Women


Thematic connections reveal themselves gradually in two delicately balanced triptychs from Ryusuke Hamaguchi and Kelly Reichardt.

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