Oct 30, 2012 — “I discovered Criterion in the late eighties with the laserdisc of
 Citizen Kane, which I still watch,” writes director William Friedkin, whose films include The French Connection, The Exorcist, Sorcerer, and 2011’s Killer Joe. “Since switching to DVD and Blu-ray,...

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

The writer and director talks about the connection between Le corbeau and Salò, or The 120 Days of Sodom; praises the strength of Kira Muratova and Larisa Shepitko; and selects Deep Crimson for his friend, Arturo Ripstein.

The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.

The filmmaker cites All That Jazz as a major influence on modern editing, reveals the connection between Memories of Underdevelopment and Trainspotting, and shares his theory on why a director’s first film is always their best.

The legendary director shares his emotional first encounter with La strada, reminiscences about eating hamburgers at Bob’s Big Boy with David Lynch, and reveals the connection between his film The Fly and Ingmar Bergman’s Hour of the Wolf.

Aug 8, 2021 — This month on the Channel, dive into the films of John Huston, Jean Harlow, Josephine Baker, and other cinematic icons.

Jun 29, 2016 — In this essay, first published in Grand Street in 1994, Dr. Strangelove coscreenwriter Terry Southern offers a lively behind-the-scenes look at the film’s production.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.