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Jan 10, 2023 Alice Diop and Martin Scorsese are among the filmmakers who have selected films for this year’s Berlinale Retrospective.

Worlds Away

Features

Apr 21, 2021 First Person The first time I saw Terence Davies’s 1992 film The Long Day Closes, I was upended by a recurring image of the sensitive Liverpool lad at its heart, his arms folded across a worn window ledge as he...

Jan 30, 2019 An exhibition, a film series, and of course, If Beale Street Could Talk are markers of heightened interest in the writer, activist, and cinephile.

Mar 21, 2011 Living Room The cinema of Mikio Naruse is one of heartbreak but also one of indomitable poise. Melodrama is the director’s stock-in-trade. His stories are inhabited by people, generally women, imprisoned in their domestic and professional circumstances by the status...

May 20, 2010 Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Feb 14, 2025 The director of Down with Love talks about his favorite romantic comedies set in the great metropolis and looks back on the making of his own foray into the genre.

Dec 4, 2024 Before she won acclaim as a pioneering director, the Hollywood icon made her name as a powerfully vivid actor who brought grit and toughness to films by such masters as Raoul Walsh, Nicholas Ray, and Michael Curtiz.

Irene Goes Wild

Features

Dec 12, 2022 The great but underrated Hollywood star Irene Dunne made her transition to screwball comedy by playing the scandal-courting author at the heart of Theodora Goes Wild.

Mar 25, 2022 With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Feb 11, 2022 The director discusses the making of his 1979 cult road movie, Radio On, which is now streaming exclusively on the Criterion Channel, and the influence of New German Cinema on his visual style.

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