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Watch Now On The Criterion Channel

Dec 9, 2025 In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.

Ang’s Piece of PI

Short Takes

Nov 2, 2009 Ang Lee has confirmed that his next film will be an adaptation of Yann Martel’s mammoth best-seller Life of Pi, the fanciful tale of a young boy from Pondicherry, India, who survives a shipwreck only to be stranded in a...

Fits and Starts

The Daily

May 13, 2022 It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.

Apr 29, 2020 The actor best known for his work with Danny Boyle, Ang Lee, Asif Kapadia, and Ritesh Batra was only fifty-three.

Jul 26, 2011 To a secular eye, Jean-Pierre Melville’s sixth feature film, Léon Morin, Priest (1961), is about almost anything except religion: the deleterious effects of sexual repression, the moral bleariness of wartime and life under occupation, the harsh inflections of history in...

Jan 18, 2022 Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...

Jan 17, 2018 The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Jul 7, 2008 Every decade since 1984 the Toronto International Film Festival has conducted a poll of film scholars, critics, and directors to determine the ten best movies in the history of Canadian cinema. This top-ten list has changed somewhat over the years,...

Aug 16, 2016 Stig Björkman’s candid documentary gathers a wealth of material from Ingrid Bergman’s personal archive, revealing the star as a fastidious collector of her own memories.

Apr 27, 2009 The idea of making a film about Japan’s most famous sex crime, with a decent budget and in conditions of complete freedom, reawakened Nagisa Oshima’s desire to direct—and the prospect of circumventing Japanese censorship must have made the decision even...

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