The Criterion Collection
Oct 29, 2024 — From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.
Features
Mar 25, 2024 — What makes a “bad” movie anyway? By surveying the bombs, disasters, and secret masterpieces (dis)honored at the Golden Raspberry Awards, we can learn much about American cinema’s prevailing standards of taste.
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
Feb 26, 2020 — Karel Zeman belonged to an obsessive fringe fellowship of moviemakers that stretched right back to the medium’s first formative days—a lineage of auteurs who believed in cinema as a full-blown daydream machine, capable of realizing inhabitable fantasias. These were filmmakers—practical-effects...
Sep 27, 2019 — Charlie Chaplin gave The Circus (1928) one of his favorite themes, some of his most sublime gags, and an incomparably poignant ending. It’s a hugely personal work, which draws on moments from his whole career, from his early stage work...
Criterion Designs
Jan 7, 2019 — The artist behind our new cover for Hitchcock’s spy-noir masterwork remembers falling in love with the film as a child and walks through the process of illustrating one of its most iconic scenes.
Jun 8, 2018 — San Francisco’s festival of experimental film prompts a new taxonomy from Michael Sicinski.
The Daily
Feb 7, 2018 — “Paul Clipson, the San Francisco-based experimental filmmaker once described as a ‘poet of cinema,’ died unexpectedly Saturday at the age of fifty-three,” reports Kevin L. Jones for KQED. “Clipson made dozens of short films and collaborated frequently with experimental musicians...
The Daily
Oct 31, 2017 — In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony Perkins) cleans...
Jun 27, 2017 — After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.