The Criterion Collection
Christina Newland is the lead film critic at the i newspaper and a contributing editor at Empire. She has written on film, pop culture, and boxing for Vice, Sight and Sound, the BBC, MUBI’s Notebook, and Reverse Shot, among other...
Features
Sep 25, 2023 — There was a period under the Nixon administration when the collective American psyche, as seen on film, seemed almost convulsed by its fixation on the motor vehicle. Every other week a moviegoer might see a film that could broadly be...
Jul 22, 2022 — Entwined with the evolution of American culture, boxing movies have used the microcosm of the ring to tackle issues of race, class, gender, and labor.
Mar 24, 2021 — Performances By the time The Manchurian Candidate was released in 1962, Frank Sinatra had been on American screens and in American hearts for nearly two decades. His bobby-soxers had been displaced by Elvis fans, who had been displaced by Beatles...
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
Apr 19, 2022 — Vittorio De Sica’s neorealist fable deploys barbed humor and surreal flourishes to depict class solidarity and human kindness in postwar Italy.
Nov 2, 2021 — Federico Fellini’s earliest masterpiece is a story of despair and optimism, cruelty and salvation, that occasioned the director’s ascent to stardom.
Features
Sep 25, 2025 — To celebrate Robert Altman’s centennial, we invited five writers—Howard Hampton, Bruce LaBruce, Violet Lucca, Christina Newland, and Carlos Valladares—to each explore a favorite lesser-known gem from the great director’s filmography.
Dec 15, 2008 — Flash back to September 1968. The Swedish Film Week in Sorrento, Italy, with its alfresco suppers and its excursions to Capri and Pompeii. Ingmar Bergman was expected, and he and Liv Ullmann were assigned a luxurious villa for the duration....
Features
Dec 31, 2025 — As we come to the end of 2025, we’re looking back at some of the essays and interviews we’ve shared with you over the past year.