The Criterion Collection
Jan 27, 2010 — This piece first appeared in the 1991 Wim Wenders collection The Logic of Images: Essays and Conversation (Faber and Faber), translated by Michael Hofmann. The story’s about a man who turns up somewhere in the desert out of nowhere and returns...
Essays
Nov 25, 2013 — He massages, he gambles, and he’s great with a blade. Who is this blind swordsman, anyway?
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Feb 10, 2003 — The poet Paul Eluard says that to understand my film version of Beauty and the Beast, you must love your dog more than your car. Ordinarily, I would settle for that. However, with so much being written about the film...
The writer and director talks about the influence of Fast Times at Ridgemont High, shares his love for Original Cast Album: “Company,” and takes his chances on a series of blind selections.
Apr 21, 2017 — Nathan Silver graduated from New York University’s Tisch School of the Arts in 2005. Since then, he has written and directed four short films and eight feature films: The Blind (2009), Exit Elena (2012), Soft in the Head (2013), Uncertain...
Criterion Designs
Sep 29, 2015 — The combination of deep-rooted anger and intellectual trickiness in Krzysztof Kieślowski’s film called for an artist with an unusual combination of skills.
Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.
Short Takes
Jun 27, 2017 — On what would have been his seventy-sixth birthday, we look back at the incandescent, richly cinematic reveries of one of the most acclaimed Polish filmmakers of his generation.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...