Aug 19, 2025 — This month’s programming celebrates the centenary of the great American filmmaker Robert Altman, the career of Oscar-winning actor Jodie Foster, and much more.

Sep 4, 2017 — Let’s start with the Telegraph’s Robbie Collin: “‘We all have history,’ shrugs Addie Moore, a widow living in small-town Colorado, when a friend advises that her new beau—a twinklingly handsome widower from a few doors down the street, called Louis...

May 24, 2016 — In The Player, Robert Altman’s early nineties comeback film, the director brilliantly skewers Hollywood—getting all the details right, as only he could—while constructing his own kind of Hollywood Movie.

Aug 14, 2007 — When I found out last year that we’d be working on Days of Heaven, I got goose bumps. It’s always been one of my favorite films, and I had wished it could be in the Criterion Collection ever since I...

Mar 1, 2022 — A series in London presents films from around the world depicting societies in flux in the 1960s and ’70s.

Mar 20, 2023 — The author of the novel Fiona and Jane looks back on a relationship that never quite solidified—and a future that never quite arrived—through the prism of Bi Gan’s Long Day’s Journey into Night.

Sep 17, 2018 — Once called “the great directorial genius of Hollywood” by Carole Lombard, Gregory La Cava struck comedy gold with this mix of madcap high jinks, irresistible romance, and social commentary.

Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...

Dec 16, 2008 — More than a year ago, Peter and I were in the midst of discussions about how we wanted to launch the Criterion cinematheque. Over time, those discussions expanded to include every department at Criterion. We wanted to have a single...

May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.