The Criterion Collection
Dec 10, 2024 — In this brilliant adaptation, Joel and Ethan Coen find a kindred spirit in novelist Cormac McCarthy, whose abiding themes—including destiny, the American West, and the contest between our better natures and our survival instinct—mirror their own.
Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.
Jan 28, 1991 — The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...
Jun 25, 2024 — Barry Jenkins’s extraordinarily ambitious limited series distinguishes itself in the tradition of the cinematic slavery epic through its understanding that Black joy and Black trauma cannot be cleaved from each other.
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
Oct 22, 2013 — This delicately creepy Hollywood horror movie lives up to its reputation as a classic of the genre.
Sep 24, 2018 — This faithful screen adaptation of Lorraine Hansberry’s legendary play explores a wide range of perspectives on working-class black life, and over the years has inspired reactions just as diverse.
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Sep 29, 2003 — In May 1981, in the midst of shooting Lola, Rainer Werner Fassbinder sketched out his next film project: Sybille Schmitz. On the cover, he had written, “Story for a Feature Film*.” The asterisk pointed to this footnote: “It is possible...