The Criterion Collection
Mar 22, 2017 — A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Mar 13, 2017 — In late 2016, I was commissioned by the Criterion Collection to photograph the cover and interiors for the edition of Andrew Haigh’s masterful 45 Years. I’m a photographer and artist based in the UK, and I had first worked with...
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.
Tech Corner
Mar 1, 2017 — The restoration teams at Warner Bros. and Criterion explain how they captured the silken texture of the nitrate print of Michael Curtiz’s classic noir melodrama.
Feb 17, 2017 — Did You See This? In a wide-ranging and moving new interview with online film magazine Bright Wall/Dark Room, Guillermo del Toro discusses the political power of art, the election of Donald Trump, and the way that film “exists in a...
Feb 13, 2017 — One Scene Romantic love is poignant because it is an infinite feeling that exists in a finite frame. And Richard Linklater’s Before Trilogy is the most romantic and profound of love stories because it imbues love with the weight of...
Essays
Feb 5, 2017 — Kirsten Johnson interrogates the thorny ethics of nonfiction filmmaking in her intriguingly elliptical blend of essay, travelogue, and memoir.
Production Notes
Jan 25, 2017 — 1. Senegalese master Ousmane Sembène was already a celebrated novelist before becoming a filmmaker. His decision to direct was fueled by his recognition of cinema as a “political tool,” one that could rally the masses against a depicted social injustice,...
Sneak Peeks
Jan 23, 2017 — One of the most striking elements of Something Wild, Jack Garfein’s psychologically complex examination of trauma and attachment, is the 1960s New York City its distressed characters inhabit. Shot by Eugen Schüfftan, an Oscar-winning German cinematographer renowned for the special-effects...