One of the most striking elements of Something Wild, Jack Garfein’s psychologically complex examination of trauma and attachment, is the 1960s New York City its distressed characters inhabit. Shot by Eugen Schüfftan, an Oscar-winning German cinematographer renowned for the special-effects technique he created for Fritz Lang’s Metropolis, the film’s stunning black-and-white images capture the beauty and oppressiveness of the city streets, the dizzying claustrophobia of subway cars, and quiet moments on the Manhattan Bridge just before rush hour. As Shelia O’Malley writes in her liner notes on our edition, Schüfftan was known for “blending poeticism and realism, the surreal and the documentary, a style that works perfectly with the urban terror of Something Wild. His street photography in the film captures New York in a way that had not been done before.” In a program on our release, excerpted in the clip below, Garfein sits down with critic Kim Morgan to discuss his experience bringing this gritty masterpiece of American independent cinema to life.
Liv Ullmann Recalls “Shattering” Moments on the Set of Shame
While working on Ingmar Bergman’s devastating antiwar film, the actress developed an emotionally intense chemistry with her costar Max von Sydow.
The Real-Life Rage That Fueled Lee Grant in In the Heat of the Night
In this excerpt from a new interview, the actor talks about how she channeled her political anger in the role of a distraught widow in Norman Jewison’s Oscar-winning crime drama.
Writing with the Body: Mikey and Nicky as an Actors’ Showcase
Elaine May populated her gangster-film masterpiece with acting heavyweights who could bring spontaneity to their roles. Critics Richard Brody and Carrie Rickey talk about her approach to performance in this clip.
How Hitchcock Pulled off a Shot for the Ages
Award-winning cinematographer John Bailey discusses the complications that Alfred Hitchcock faced trying to execute one of the most ambitious shots in his filmography.