Jun 16, 2026 The debut in 1998 of Lisa Cholodenko’s first feature film, High Art, was a triumph. The intense mastery of its form and the freshness of its narrative created waves of excitement—from the Sundance Film Festival, where it won the Waldo...

Jun 11, 2026 An adaptation of Night and Day follows two new reimaginings of Mrs. Dalloway.

Jun 5, 2026 Despite what is often assumed about the history of trans representation in cinema, it is not a simple story of marginalization and stigmatization. In their 2024 book Corpses, Fools, and Monsters: The History and Future of Transness in Cinema, critics...

May 28, 2026 Film at Lincoln Center and Cinecittà present two series back to back, Open Roads: New Italian Cinema and History, Italian Style.

May 27, 2026 This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

Better Parts

The Daily

May 22, 2026 This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.

May 19, 2026 New films by Ryusuke Hamaguchi and James Gray are riding high on the Cannes critics’ grids.

May 19, 2026 Elevator doors open onto a warehouse floor bathed in red light, high above downtown Manhattan in early May 2024. Exposed concrete and visible ductwork frame a room where artists in green aprons, cosplaying as waiters, circulate among guests in suits...

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

May 12, 2026 Sorting through critics’ most-anticipated titles, catching up with interviews and profiles, and more.

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