Rom

Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.

Feb 17, 2017 — Did You See This? In a wide-ranging and moving new interview with online film magazine Bright Wall/Dark Room, Guillermo del Toro discusses the political power of art, the election of Donald Trump, and the way that film “exists in a...

Feb 2, 2017 — Repertory Picks This Friday, the Dairy Arts Center in Boulder, Colorado, will screen Hal Ashby’s 1971 sophomore feature Harold and Maude. Made just one year after Ashby transitioned from editing to directing with his Brooklyn-set gentrification drama The Landlord, the...

Feb 1, 2017 — The latest release from Janus Films, Polish director Agnieszka Smoczyńska’s debut feature, The Lure, opens today at New York’s IFC Center. In this spectacular horror-musical hybrid, two carnivorous mermaid sisters are enticed into a lurid life on land in a...

Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.

Jan 19, 2017 — Rainer Werner Fassbinder plays a working-class gay man hoodwinked by his uppity bourgeois lover in this unsparing portrait of queer culture in 1970s West Germany.

Jan 18, 2017 — Made when he was just twenty-nine, Rainer Werner Fassbinder’s twenty-second feature, Fox and His Friends, showcases the New German Cinema icon in front of the camera as a working-class gay man who wins the lottery and falls prey to a...

Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.

Dec 21, 2016 — Romance has served as the foundation for some of film history’s most significant partnerships. Over at the Criterion Channel, we’re celebrating couples who shared a chemistry both on-screen and in real life with Creative Marriages, a series of double bills...

Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.