Made when he was just twenty-nine, Rainer Werner Fassbinder’s twenty-second feature, Fox and His Friends, showcases the New German Cinema icon in front of the camera as a working-class gay man who wins the lottery and falls prey to a swindling, bourgeois boyfriend. This biting satire of class dynamics and the transactional nature of romance was Fassbinder’s first explicit depiction of homosexuality, and its cynical vision of gay life in 1970s West Germany led some critics to denounce it as degrading. In the clip below, excerpted from our just-released edition, director Ira Sachs (who co-curates the monthly Queer/Art/Film series at New York’s IFC Center) discusses Fassbinder’s controversial portrait of queer culture and the interplay between severity and empathy that made the film so groundbreaking.
A Hidden Figure of the Czechoslovak New Wave Takes the Spotlight
In this excerpt from an interview on the edition of Diamonds of the Night, film programmer Irena Kovarova talks about the work of one of director Jan Němec’s key collaborators, Ester Krumbachová.
Robert Zemeckis Looks Back on His Debut-Film Jitters
In a new conversation with collaborators Bob Gale and Steven Spielberg, the director of I Wanna Hold Your Hand talks about the terror of being a first-time feature director.
How Carlos Reygadas Plans for the Unexpected
Storyboards have been an important part of the Mexican filmmaker’s process from the beginning of his career. In this interview, he talks about the freedom that meticulous pre-planning allows him on-set.