Made when he was just twenty-nine, Rainer Werner Fassbinder’s twenty-second feature, Fox and His Friends, showcases the New German Cinema icon in front of the camera as a working-class gay man who wins the lottery and falls prey to a swindling, bourgeois boyfriend. This biting satire of class dynamics and the transactional nature of romance was Fassbinder’s first explicit depiction of homosexuality, and its cynical vision of gay life in 1970s West Germany led some critics to denounce it as degrading. In the clip below, excerpted from our just-released edition, director Ira Sachs (who co-curates the monthly Queer/Art/Film series at New York’s IFC Center) discusses Fassbinder’s controversial portrait of queer culture and the interplay between severity and empathy that made the film so groundbreaking.
Donald Richie Uncovers the Traces of a Lost Japan
In collaboration with director Lucille Carra, the renowned writer brought his impressionistic travelogue The Inland Sea—an unusual choice for a film adaptation—to the big screen.
A Palette That Sizzles On-Screen
Filmmaker Darnell Martin and writer Nelson George discuss how vividly Do the Right Thing captures the heat of a Brooklyn summer and the diverse skin tones of its cast of color.
A Genius of French Cinema Delivers a Career-Defining Performance
Raimu is at his subtle best in one of the most moving scenes in The Baker’s Wife, a moment in which the actor channels the collective despair of France’s working class.