The Criterion Collection
Apr 17, 2017 — Artist and writer Dash Shaw chats with us about first discovering René Laloux’s 1973 sci-fi masterpiece and its lasting influence on his own illustration style.
Nov 11, 2016 — After five great years, we’re bidding farewell to Hulu. We hope you’ll join us over at FilmStruck, the new streaming service we’ve just launched with our friends at Turner Classic Movies.
On the Channel
Nov 8, 2016 — The Austin-based filmmaking duo chat with us about the influence of Louis Malle and their new short film, which takes inspiration from the director’s Black Moon.
Sep 12, 2016 — Before kicking off a week run of To Sleep with Anger at the Film Society of Lincoln Center, the influential director joined us for a conversation about how his encounters with international cinema inspired him as a filmmaker of color.
Aug 19, 2016 — Born and raised in Los Angeles, Andrew Ahn is a Korean-American filmmaker whose debut feature, Spa Night, premiered at the 2016 Sundance Film Festival and won the US Grand Jury Prize at Outfest. The film’s lead actor, Joe Seo, won...
Aug 1, 2016 — Back in January, veteran actor Keith Baxter stopped by the Criterion offices for lunch and regaled us with memories of his experience working with Orson Welles.
Apr 27, 2016 — Bret Easton Ellis may be best known for his novels and short stories—including Less Than Zero, The Rules of Attraction, and American Psycho, which was adapted as a film in 2000 and recently transformed into a musical that opened on...
Mar 24, 2016 — With Edward Yang’s A Brighter Summer Day finally available in the U.S., screenwriter Hung Hung talks about his working relationship with Yang, the film’s truncated distribution and slow path to acclaim, and the real-life roots of its narrative.
Short Takes
Jan 6, 2016 — Celebrated English playwright, actor, screenwriter, and composer Noël Coward brought us many cinema classics, but his relationship with the medium was far from straightforward, as Coward scholar Barry Day explains in a post at Literary Hub.
Aug 25, 2015 — In Jean-Pierre and Luc Dardenne’s moving and humane critique of capitalism, true interpersonal communication is the only thing that can save us.